I concentrated these bright lights, mostly streetlights and headlights, in the focal area. The intense lights not only provide strong contrast but also awaken peopleвЂ™s realistic spatial memory. These lighting effects are not very hard to produce (using masking fluid) but they are very eye-catching. This subject makes use of backlighting, sunset and a night scene - a trifecta of expressive subject matter.

3 by Chien Chung-Wei The Moscow Nocturne No. The palette is fairly limited, so the values make it sing.ДonвЂ™t be afraid to go to the dark side without the darks, itвЂ™s hard to see the light. This piece lent itself to high-value contrast as its story is the fading light of the reflected setting sun amidst the dark waters and hills. Strohschein Setting Sun by Anne McCartney Setting Sun by Anne McCartney The ratio of water in these warm and cool pigments is greatly decreased, resulting in darker value strength. In order to keep the light the focal point, I overpainted strong dark backlit shapes. Here the sunset itself is the focal point. Strohschein Last Light at Marco by Sandra L. Find out how children learn about light and how you can support your childs science learning at home in primary-school teacher Catherine Caseys guide for. My understanding of value came from my darkroom days when I employed the Zone System for my black-and-white prints. It is a study of light and dark value in its simplest form. I used the largest brush I could find and started wetting at the top of the watercolor paper before I applied India ink, watercolor and, lastly, iridescent acrylic. I heightened the contrast around the central figure and simplified all other details. Into the Light was based on a reference photo shot quickly into the light pouring through this large buildingвЂ™s front entrance. When you concentrate on the lights and darks, you will begin to see the night taking shape. The key to mesmerizing nightscapes is correct tonal value.

The contrast and vibrance come by very dark patches against areas of light. Interesting, but also challenging, I often paint nightscapes because they bring out the light best. Just match Dark motes with the Dark beams and the Light. This is the main mechanic of the Prophecy Dungeon. Repeat this process and the door at the end of the room is going to open. If you do not match Dark with Dark and Light with Light then you will die instantly. In the Rain by Rainbow Tse In the Rain by Rainbow Tse The Dark motes go in the Dark beam and the Light motes go into the Light beam. Splash is accepting entries now - if watercolor is your medium, submit your workВ as the deadline is almost here! And let these works inspire you to incorporate more contrast in your own art. We explore this exciting contrast with inspiring works from past winners of the Splash Competition. The viewerвЂ™s eye will follow this contrast, helping to draw his or her eye into your art in a similar way fireworks keep us looking up at the sky. This contrast of light and dark is one of the powerful ways to bring attention to your focal point. For those of us who love visual drama in painting, anВ explosion of color against darkness creates an almost entrancing effect and draws in your eye.

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